The phrase, “a room of one’s own” is forever linked to feminist author Virginia Woolf (1882-1941), as the title of her famous 1929 essay, but it has been adopted by many of us who long for a space specifically designed to meet our personal taste and needs.
I thought of that this morning while reading a blog post by Katrina Kenison. She calls it “Making Room“. She has just turned 59 and finds herself wishing for somewhere other than at her kitchen table to write — “a place in which some new work might begin to take shape, privately and quietly” away from the hustle of her everyday household.
“My sixtieth year has begun with an urgent longing for quiet time and open-ended hours and, too, for a space that is devoted not to many things but to one thing: the work of the imagination, the murmurings of the soul, the possibility of articulating and embodying some just-forming ideas about how to live in the world as an older person.” [Katrina Kenison]
At the beginning of every fall, a similar yearning overtakes me, but it has nothing to do with my increasing age. At least, I don’t think it does. The odd thing is, I do have a room of my own in which to write, but I don’t often use it, which makes me think it has more to do with attitude than age or location.
I’m always anxious to recapture the sense of mystery and adventure that accompanies the start of a new season or a new writing project. It’s akin to the delight of discovery in the story of A Secret Garden, but then again, I suppose that story did have a lot to do with place. And age. Hmmm. Well, never mind. Should place and age really determine the extent of a person’s creativity? What is it that makes a room of one’s own so appealing?
Katrina says it would mean not having to clear her writing materials off the kitchen table and make room for her family’s next meal.
There’s that, of course, but I suspect it’s also the ability to surround oneself with favourite things — things that inspire us — or to spread out our tools however we might prefer, and not have to answer to anyone else for our choices (or the mess). It’s that sense of privacy and personal space a closed door gives us — the opportunity to retreat into the backcountry of our minds without distraction.
Some of my friends have created personal writing spaces. In the past year Katherine Wagner repurposed an upstairs bedroom into a library/writing room with a view over her exquisite back garden, and Dawn Dalton’s hubby built her a separate writing hut, a la Roald Dahl’s, in their back yard.
What a treat to be able to indulge ourselves with such special spaces! I should feel guilty that I don’t make better use of mine. That I don’t, suggests my creative efforts don’t depend on an inspiring environment, but that’s not entirely true.
Where I most often sit with my laptop is in my family room. My recliner is adjacent to a wall of windows that overlook the ‘backyard’ — a rural haven surrounded by trees with a somewhat overgrown arbour leading to the unseen marsh beyond. It’s private and quiet. That’s pretty much all I need when I’m writing.
The environment we crave is as individual as the words each of us produces. The main thing is to identify what we require to produce those words and then get writing.
“When I am up here I see only the paper I am writing on, and my mind is far away with Willy Wonka or James or Mr Fox or Danny or whatever else I am trying to cook up. The room itself is of no consequence. It is out of focus, a place for dreaming and floating and whistling in the wind, as soft and silent and murky as a womb…” [Roald Dahl, ‘Roald Dahl: From the Inside Out – the Author Speaks’]
~
“So long as you write what you wish to write, that is all that matters; and whether it matters for ages or only for hours, nobody can say.” [Virginia Woolf]
~
Now it’s your turn. Tell me, what’s your ideal writing environment or location? Is your creativity dependent on being in that space?
~ ~ ~
