Wildfires and Writing

 

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Red shadows shimmer from a red sun as smoke blankets our skies this week. It’s all because of the more than 180 wildfires currently burning throughout B.C. Everything is hot and tinder dry (including me!), thanks to an extended heat wave.

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Such unpleasant events always accelerate the climate change conversation. Unfortunately conversation alone won’t change anything. The David Suzuki Foundation website suggests many ways we can contribute to  the solution rather than be part of the problem.

“Though you might feel like your lifestyle is insignificant compared to things like oil extraction or vehicle emissions, the choices we make in our day-to-day life — how we get around, what we eat, how we live — play a major role in slowing climate change.”

David’s weekly ‘Queen of Green’ column offers all sorts of information about how changes in little everyday activities can make a difference.

As you might expect, my brain meandered in the direction of writing, and I began thinking about my fictional characters and their lifestyles. It’s never good to preach at our readers — most don’t appreciate being hit with blatant ‘thou shalt’ or ‘thou shalt not’ messages — but characters who display responsible preferences within a story can set subtle examples of good habits and stewardship.

I know one author who quite successfully writes novels to share her passions. Valerie Comer calls herself “a farmer, locavore, beekeeper…and the author of the Farm Fresh Romance series, farm lit from a Christian worldview.” She combines her storytelling abilities with her preference for locally grown food and her Christian faith, to produce wholesome fiction with an underlying message.

The inspirational genres are popular with Christian readers. What other authors and/or books do you know of that combine storytelling with a passion for something worthwhile?

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Simple Things

Old fashioned Oxeye daisies can be found just about anywhere. We see patches of their sweetly nodding heads scattered along mile after mile of dusty roadsides, and liberally sprinkled through wild meadows.

There’s an attractive, wholesome aura about them, but they’re considered an invasive species and of major concern in some areas of British Columbia — a relatively short-lived perennial  “that decreases forage for wildlife, decreases local plant biodiversity, and may compromise vegetative ground cover due to its growth form that results in exposed soil.”

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Fortunately there’s an equally delightful-looking alternative available, the Shasta daisy. For a few years I searched the local nurseries in vain for them. I discovered the variety I sought wasn’t the only kind, but I finally located what I wanted, and  blogged about it here.

Their chaste, sunny little faces are such a joy, brightening the often-shady, mostly green places of our yard. There’s something about these ordinary, simple flowers that also lightens my heart. I associate them with my grandmother’s garden, with daisy-chains, and straggly bouquets gathered and clutched in grimy hands. There’s a nostalgia when I recall fields adrift with them in the ‘Little House on the Prairie’ television series that the girls and I watched faithfully.

They make me want to break out in song…

… but, of course, I won’t. Believe me, you wouldn’t want to hear that! (Although the video’s worth watching since there’s a little face near the end that could be considered a clue to something else that is soon coming to brighten our days and lighten our hearts.) ;)

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Simple things are appealing, and I don’t mean just daisies. Most of the characters in my current novels seem to prefer a pared down lifestyle. They don’t live in mansions, do elaborate dinner parties, or take exotic vacations. Are they reflecting my own preferences? Probably so, although I don’t intend to impose such limitations in all future stories. I suspect many readers enjoy the escape provided by more complex settings.

What’s your preference as a reader? or as a writer? Do you lean towards the austere or the more complex when it comes to a story’s setting and the characters’ lifestyles?

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A new take on Alice and her Wonderland

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Today is the book birthday for FALLING FOR ALICE, the short story anthology co-authored by DD Shari GreenDenise Jaden, Dawn Dalton, Kitty Keswick, and Cady Vance. All the authors have information on their websites, including Shari. She has links to all the places where FALLING FOR ALICE can be purchased in paperback or as an ebook. You’ll also find details there about her ‘Peace & Music Giveaway‘, available until April 30th.

It’s “a new Alice and a new Wonderland”, all in celebration of the 150th anniversary of Lewis Carroll’s 1865 publication, ALICE IN WONDERLAND.

Here’s the trailer, too, for a brief but tantalizing taste of what the book is all about:

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Tidbits:

  • Did you know that Lewis Carroll is the pseudonym of English author Charles Lutwidge Dodgson?
  • You’ve never read the original ALICE IN WONDERLAND? Really??? Click here for the Gutenberg free online version.

Now go buy a copy of FALLING FOR ALICE and get into celebration mode! I did. :)

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Living the stories (and a winner!)

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“I can’t see the forest for the trees.”  I suppose in this case you’d say you can barely see the lake for all the trees. Until last summer, when the men had to cut down a few of them, the view from our summer cabin was only the portion you see to the right of this photo.

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{Click photo to enlarge)

It’s nice to be able to glimpse a little more of our lake now. We could remove more trees, of course (and the leaning birch may soon remove itself, although it’s been like that for at least a decade), but we aren’t anxious to leave the cabin too exposed.

BlowdownAtCabinOne year when my parents were still alive, they reported that a small tornado had gone through, uprooting many trees in its path. My mom took this photo from across the creek, showing one leaning on our [then] new cabin. Through the years other trees have fallen on and/or near it, but it has managed to remain unscathed. On each visit, as we climb the hill from our hand-hewn bridge, I hold my breath a bit, wondering what we’ll find — wondering what changes the wilderness has brought to it during our absence, if there will be any damage, or if the cabin is even still standing. Touch wood (and there’s a lot of it we could touch), it has survived the passing seasons.

Our cabin is primitive, but it’s a beloved family getaway. I tell people it’s like camping, but with a roof. The building’s gone through several transitions over the years, but it’s still small and rustic, without any city conveniences, and we still need a 4 x 4 to get there.

So, what’s the appeal? Yes, we think the view is pretty spectacular, but there are lots of wilderness lakes in British Columbia. This particular one, however, is the focal point for four generations of family memories (and a fifth generation is poised to begin making more). There’s something about ‘frontiering’ experiences — hauling water by the bucket from the creek, spending evenings playing card games in the weak glow of kerosene and propane lamps, trekking to the outhouse, and cutting the daily requirement of firewood — that adds a meaningful chapter to our family’s story.

I thought of this yesterday, when DD Shari Green shared her reaction to the death of Johnathan Crombie of Anne of Green Gables fame. In her post, “Gilbert Blythe and the power of stories“, she said,

“Judging by my social media feeds … Gilbert Blythe–and by extension, Jonathan Crombie–is absolutely adored by a great many people. And this has me thinking… How is it that fictional characters can come to be so significant in our lives? Why are their fictional sorrows and joys felt in our own hearts? How do their fictional dramas become entwined with our own real-life ones, causing girls to long for red hair and an expansive vocabulary and a boy just like Gil?”

Stories such as Lucy Maude Montgomery’s Anne of Green Gables (1908) and Laura Ingalls Wilder’s Little House on the Prairie (1935), have caused us to fall in love with characters who have endured through generations of readers. The account of their lives fills us with nostalgia. The power of stories is quite remarkable, but it’s most effective when it draws on emotions and relatable memories.

I’ve never given it much thought, but that rough little cabin is the setting for a portion of our family’s life story. Some of it is on paper, but most is held in our collective memory. Whether written down or not, each passing year and every new generation adds another chapter.

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Do you have places or events that play a significant role in your family’s story?

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As promised in Friday’s post, to help celebrate my 1,000th post, I’m giving away a $20 gift certificate for either Amazon or Starbuck’s. The name drawn at midnight was … ta-da …

**  JENN HUBBARD  **

Congratulations, Jenn, and thanks for helping me celebrate. I’ll be in touch by e-mail to find out which certificate you’d prefer.

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From the Archives: The Rhythm of Words

This has already been a full week, and now we’re heading into Easter weekend. I hope you’ll forgive me for choosing another post from the archives.

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Breezes dimple across the water and start wild grasses dipping and dancing. There’s a special rhythm nature brings to the seasons.

What do you think of when someone talks about rhythm? The repetitive thudding bass from the convertible that pulls up beside you at a traffic light? Maybe the toe-tapping that accompanies a rousing piece of music by a favourite band?

What about the rhythm of words?

Rhythm in Writing

I came across a fascinating ‘toy’ recently — the Rhythmwriter. Try it out and then come back so we can carry on our conversation.

Go ahead,

click on the link.

I’ll wait.

Isn’t it fun?

No matter the notes you choose, the resulting pulse is like a dancing heartbeat… a vital signs monitor gone berserk. One bar of assorted notes repeats to create a pleasing rhythm. At least, it’s pleasing until the repetition works its way into your head like an earworm and begins to drive you mad.

We need a certain amount of variety, in the rhythm of both music and writing.

“Just as musical notes blend together to create an auditory tapestry, so should your words.  Mix it up, shuffle the deck, alter the rhythm of your words.  Punctuate a paragraph with some staccato sentences.  Layer your language with elaborate harmonies.  Refrain from playing the same refrain over and over.  Use this musical analogy to think about your audience while you write and don’t forget to vary the rhythm of your words.” [Sari Mathes]

In writing, rhythm is achieved by varying the length of sentences and the style of their structure. We want the end result to sound like us — to reflect our literary voice — but at the same time we want the listening experience to be pleasant.

“The aims here are:

  1. to avoid overusing any one sentence structure in a way that becomes a distraction to the reader,
  2. to move gracefully back and forth between the clarity of simple sentences and the richness of complex sentences, and
  3. to evoke the rhythms of your own vocal style, with the same rising and falling of pitch, the same ebb and flow of phrasing between breaths.” [Michael Fleming]

Fleming suggests the best way to establish a natural rhythm is by reading your work aloud. I wonder how many writers do this. Do you? Do you read your manuscripts aloud while in the sanctuary of a closed room, play the words back to yourself via text-to-speech software, or perhaps share them with others at public readings or critique gatherings?

Are you conscious of developing rhythm in your writing? Do you think it’s more important in poetry than in prose?

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From the Archives: The Music of Words

A couple years ago I showed you this incredibly heavy box of music that was sitting in the middle of my kitchen. It represented over a decade of choral music collected by one of our church accompanists. In the same way as I hoard books, she hoards music, and for the same reason – it speaks to her.

She needed to downsize and was returning a portion of her collection. While I sorted through the six hundred-or-so octavos and several music books, I couldn’t ignore other similarities.

Notes build phrases of melody that blend into harmony, creating music that sings in my heart.

Letters become words and sentences, and grow into stories that beguile my imagination.

Both transport me to a new place. The creativity required to produce the best form of both is art, and originates somewhere deep within. When it is well done, it impacts those who listen… and read.

The creativity represented by all this music staggers me. Each song is unique and represents hours, days, months or maybe even years of the composer’s time. More significant is the piece of its creator’s soul that is embedded in the reality of each.

Composing words and music are both forms of writing, totally different, and yet so very much the same.

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If you are a writer, do you find your creativity spills over into other forms of art?

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Graphics by digitalart

 

#wipMadness Day 26: Making Your Mark

One of my favourite sights and sounds at our remote cabin is of the loons. There is always one or two pair of Common Loons there, and soon after we arrive every summer and fall we are greeted by their unique call. My fascination with loons has grown since first encountering them when my parents took me there as a child over sixty years ago. As a result, I’ve also developed quite a collection of loon items — carvings, glassware, sculptures, and this delightful watercolour painting, commissioned by my hubby as a surprise gift for me. The artist is a member of our church, Elizabeth Hancock.

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I remember her saying how it had taken her some time to decide on how she wanted to depict the subject … that loons are so often shown swimming, with or without a baby, and she preferred to paint something more distinctive.

The result is unique and beautiful, and holds a place of honour on our living room wall.

Signature

Liz’s signature tells anyone who views this painting that she is its creator — she designed its story and chose how she would tell it within the context of its watercolour medium.

Writers do much the same as they pen their stories in text. Names on title pages and book covers announce to readers that the words tell a unique version of a particular story … one drawn from the author’s imagination and soul.

For both writer and artist, once released into the world, the creation and the creator’s mark become a part of history, forever inseparable. Wow! Maybe that’s why passion has to be such an integral part of the process.

As you create this week, I hope you’ll feel the passion, the inspiration and also the responsibility as you strive to make your special mark!

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This is the last Thursday of #wipMadness, so this is my final contribution to our month of writing-reading-blogging madness. There are just five days left in the countdown to its end and to the day when we’ll all have to take stock of our month’s achievements. Make each one count, fellow Wipsters! And don’t forget to check in tomorrow with Tonette.

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(If you’re in the Maple Ridge, BC area and would like to see more of Liz Hancock’s work, you might enjoy ‘The Art Studio Tour’ on Mother’s Day weekend. Check it out here!)

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