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Sunshine broke through the overcast yesterday, scattering light on the evergreens where crystal droplets hang. Most of the autumn colour has disappeared, at least here at Wildwood, and the crunch of leaves has been replaced by a softness underfoot where sodden gold and brown languish in puddles.

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God has blessed every season with unique beauty.

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MossA recent gardening show on TV featured a House of Prayer in Little Rock, Arkansas that has been designed to provide a tranquil environment for contemplation and prayer. Zen gardens – serene Buddhist-inspired minimalistic landscapes designed to encourage meditation – are popular. It seems the search for a location where peace and tranquility exist is universal.

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But as I stood on the deck with my face upturned to the fleeting sunlight I was reminded that my soul is warmed by the Son of God and that true peace and tranquility can only be experienced right where we are.

“Be still and know that I am God.”

[Psalm 46:10]

NaNoWriMo Day 9 - Productive

This oh-so-true cartoon is by Inky Girl.

Remembrance Day

World War I ended 91 years ago at the eleventh hour of the eleventh day of the eleventh month. In the ensuing years we have gathered at that moment to remember and honour those who, in all wars, have served in the pursuit of freedom.

Poppies

One troop commander in Kandahār, Afghanistan commented this morning, “We remember our fallen every day,” and for the families of those who have died this is undoubtedly true for them, too.

Edison Garvin

Edison Garvin

Harry

Harry McGuire

In my family I think of my father-in-law, Edison Garvin, who fought in WWI at Vimy Ridge, and of my father, Jack McGuire, and an uncle, Harry McGuire, whose service was during WWII in Canada. I have little knowledge of their military memories because they seldom mentioned their war experiences. None lost their lives in war but they are gone now. On Remembrance Day I simply remember them… the people they were and how we loved them.

Jack

Jack McGuire

I’m back in time to mark the one-third point of this month-long NaNoWriMo writing frenzy. To meet the challenge of writing 50,000 words in thirty days one has to maintain an average of 1,667 words per day. That’s just an average, of course. If you take a couple days out of the regime to do something else – like maybe drive north to one’s cabin as I did – the scramble is on to make up for lost time.

Number crunching:

WordsI promised to report in on my return, so here are the numbers. With the help of DH’s generator to keep the laptop battery charged, I wrote my way through four of the past six days. To be on track at the end of Day #10 the accumulation should have reached 16,670 words. After falling behind during a couple travelling days I’m relieved to have posted tonight’s total as 16,812. Yay!!! Hibernation was a good thing! Now that I’m back in the real world again, however, if I’m to maintain the momentum I’ll have to stay focused. Did you notice one of the first things I did was hit the Internet and start blogging? Aghhh! Focusing is hard when you’re as undisciplined as I am!

Hibernating

KeyboardI’ll be offline for a few days, hibernating with my laptop. I’ll emerge to report my first week’s NaNoWriMo word count early next week. In the meantime I expect my fellow Wrimos will be busy accumulating their own numbers in my absence and my non-NaNo’ing friends will be pursuing all the wonderful weekend things that will make me envious when I hear about them.

::no, that’s not me complaining, just heaving a longing sigh::

Just Talkin’…

I’ve emerged from my NaNo fog to grab a breath of fresh air. Truthfully, I’m taking a break from my characters’ angst. They’ve been arguing off and on ever since the beginning of the story and I’m getting a little fed up with them.

There’s a lot to be said for dialogue — useful exchanges — in writing. Coincidentally (or not… you never know), my e-mail subscription to Jessica Morrell’s monthly newsletter arrived this morning and in it she starts right out discussing the merits of dialogue.

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“We use dialogue for many reasons, but the mains ones are:

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  • It advances action in the story and visually breaks up the page, thus attracting the reader’s eye.
  • Dialogue is fast moving and readers appreciate the quick pace and sense of being there.
  • Dialogue is more memorable than narration and is often a power struggle or power exchange.
  • The writer can insert opinions other than her own when people start talking.
  • Dialogue and conversations are crucial elements to the rhythm of a story.
  • Dialogue reveals a character’s background, social status, and education and it can quickly and painlessly deliver essential information.

“…. It demonstrates conflict, pushes the story forward, provides or summarizes information, comments on actions and place, and reveals characters, emotions and character’s relationships. In other words, dialogue plays a vital, starring role in every piece of fiction.

“However, it’s single most important role is to reveal the uniqueness of character.”

[Jessica Page Morrell – November 2009]

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What does dialogue reveal about my characters? I’m off to have a look at the story and see. It also won’t hurt to check if I’m making good use of their dialogue or just filling up pages to add to my NaNo word count. (Did I say that? I would never do that!) ;)

[Graphic: MS Office online]

Laura Best

Laura Best

I’m delighted to welcome Laura Best to my blog today. Laura has lived in the small community of East Dalhousie, NS her entire life. She was a contributor to Christmas in the Maritimes: A Treasury of Stories and Memories and A Maritime Christmas: New Stories and Memories of the Season, and her fiction has been published in literary magazines across Canada, including The Antigonish Review, Grain, and Room. In 2003, her short story “Alexander the Great” was nominated for the Journey Prize. Released by Nimbus Publishing on October 1, 2009, “Bitter, Sweet” is her first novel.

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CG:             Laura, you’ve just launched your first YA novel, BITTER, SWEET. Tell us a bit about the story.

LB:  The story is about a family who move into a small community in rural Nova Scotia in the 1940’s. They are barely settled in when their father abandons the family. Soon afterward their mother becomes ill and eventually dies. While she is sick, their mother prepares them for her death making them promise that they’ll do everything they can to keep the family from being sent to foster homes. But when the authorities eventually show up the children are forced to do whatever they can to ensure they stay together.

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CG:            Where did the idea for this story come from?

LB: The inspiration for the story came from a newspaper clipping, an incident that I thought would make an interesting scene in a story. When it came time to write, the oldest daughter, Pru, gave me the first line, “After she died, we buried Mama behind the house.” The rest of the story came together quite easily after that.

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CG:            You live in Nova Scotia and I understand that’s the locale for the story. How closely did you adhere to real people and places for your characters and setting? Did you ever worry that friends, family or neighbours might feel you were writing about them?

LB: I wanted to make sure that the places, such as the Anglican Church, the Dale Post office (which by the way was a little room in the house I presently live in), Lake Torment, rang true. I knew it would be important for the readers who were familiar with the community. My characters are all imagined and I never once thought anyone would compare them to real people, especially since it was set twenty years before I was born.

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CoverCG:            Was there ever a concern that having a Canadian setting might limit its publication potential, or did you always expect to have it published in Canada?

LB: While I was writing “Bitter, Sweet” I concentrated only on the story that was crying out to be told and not what would happen in terms of publication once it was written. Writing a story is one thing, having it published is a totally different story altogether. I’ve never, in the past, considered publication in any other country other than Canada. I’m not really sure why, I just haven’t.

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CG:            Everyone has a story about “how I found my agent/editor/publisher.” Can you share a bit of the journey that led you to Nimbus?

LB: I was published in two Christmas anthologies that Nimbus put out. I also knew they are the largest publisher in Atlantic Canada and prefer to publish stories that are relevant to this area. Since “Bitter, Sweet” is set in Atlantic Canada I thought it was worth trying them.

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CG:            How long did it take you to write BITTER, SWEET?  Was the first draft close to the finished product or did it go through multiple revision transformations?

LB: I’d say I worked on “Bitter, Sweet” for about three months. I never sit down and write a first draft. I tend to edit as I go so that when I finally reach the end the story is pretty much where I want it to be. I did make changes later to the first two chapters once I was finished but it wasn’t anything substantial.

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CG:            Did you do a lot of research before starting? Are you a writer who plots and outlines first, or do you dive in and figure things out as you go?

LB: While writing “Bitter, Sweet” I needed to do a bit of research on plants since the use of healing plants native to Nova Scotia is present in the book and of course the deadly night shade plant or bittersweet from which the title comes. I knew a bit about the subject myself, since my father was knowledgeable about these things as was common for people from that generation who live in our area. I often remember him digging out gold thread from the ground to steep into tea.

As far as plotting goes I tend to dive in and figure things out as I go, although I can see how working with an outline might be beneficial and could be something I might use in the future.

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CG:            Will you describe your favourite writing spot for us?

LB: I have an office where I do a lot of my corresponding but I find I use that area less and less for writing fiction. I also have a laptop and often write in an armchair in my living room.

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CG:            Were there doubts, low times or obstacles for you along the way? How did you overcome them?

LB: I think most writers have doubts from time to time especially when the rejection slips keep coming in. It is difficult to have faith in your ability as a writer during those times. I’d sometimes wonder why I was putting myself through this torture but those times were short-lived. I never allowed myself to become discouraged for anymore than a day or so and sometimes only a few hours. Being a self-taught writer I knew I had/have so much to learn. I try to look at writing as a learning process. It helped that family and friends were so supportive.

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CG:            Do you have any advice for writers who are a step behind you in their pursuit of publication? Anything that you wish you’d known before you waded in yourself?

LB: The only bit of advice I have to offer anyone seeking publication is to write and rewrite. It’s not enough to write the story. You have to try and make it as good as you possibly can. Be true to who you are. Write what’s important to you, not what you think is trendy. Last of all, don’t give up. Stay determined. Many talented people drop out before seeing their work published because they can’t stand rejection.

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CG:             What are your plans for promotion and marketing or does your publisher look after these? Where can people buy copies of BITTER, SWEET?

LB: Nimbus has set up signings for me with Chapters and Coles store in the area for the month of November in six different locations. Articles have already appeared in two of our local papers to promote the book. “Bitter, Sweet” can be ordered directly through Nimbus publishing or from Amazon.ca, Chapters.ca and, of course, bookstores.

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CG:            What’s next? Do you have another story in the wings?

LB: There is always another story in the wings, Carol. I presently have one under consideration but I have several others in various stages of completion.

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CG:            Anything I haven’t asked you that you’d like to comment on?  :)

LB: I’d say you’ve pretty much covered everything although I would like to say thank you for setting up this interview! It’s been fun!

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Thanks, Laura. It’s been a treat to learn more about you and your novel. I’m so glad you agreed to this. I wish you much success with BITTER, SWEET!


This is it!  This is my time to…..

CreateTotem

And now that I’m racing against the word clock you may not see as much of me over the next thirty days. That might not be a bad thing. I imagine you’re getting pretty tired of hearing about NaNoWriMo if you don’t happen to be a participant.

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This NaNo’ing endeavour doesn’t garner much respect from serious writers. It has frivolous overtones. They wonder why an aspiring novelist willingly wastes time accumulating 50,000 words of questionable value. But I have no desire to waste these thirty days. While the writing is undoubtedly mediocre quality, it has purpose. Committing to this very visible project is my way of shoving reluctant thoughts and words out of the wings and onto a stage whether or not they want to be there. It’s an extensive “free writing” exercise that I believe will enhance my creativity and self-expression.  At the end of November I hope to have completed the bare bones rough draft of a novel that has been shackled inside me for the past six months. I’m heading off now to see if it can be done.

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Coming up next: an interview with Canadian author Laura Best whose debut YA novel BITTER, SWEET was recently launched in Nova Scotia.

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This is our last day of… what? Sleeping, leisurely meals, spending time with the family, our sanity? Maybe all of those things, but it’s also the start of commitment, endurance, achievement. We’ve chosen to participate in this writing adventure called NaNoWriMo because we believe there is a worthy and attainable goal just thirty days away.

By accepting the challenge we have each made ourselves a promise. We will try and we will keep trying.

And just for good measure take with you the following admonition as you venture into the NaNo forest tomorrow. (I heard it from Jessica Morrell who was quoting Margaret Atwood who in turn had been quoting Alfred Lord Tennyson — sorry, I know that’s convoluted, and now I’m quoting it, too, but it’s so applicable.)

“Doubt not, go forward – if thou doubt, the beasts will tear thee piecemeal.”*

BeastsIf we stop trying before November 30th the beasts of failure will be there to do more than gloat. They’ll  gorge themselves on our self-esteem, mercilessly ripping it from our hearts.

Okay, so I ran out of pithy, encouraging words to use for motivation. Isn’t fear a better motivator, anyway?  ;)

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[*The Holy Grail, Alfred Lord Tennyson]

The Olympic Torch

OlympicLanternIt’s here! The Olympic Flame arrived in Canada from Athens this morning aboard a Canadian Forces airbus. The flame, kept burning inside a small miner’s lantern, was placed on the ground in Victoria, BC at 9:01 a.m. today. Later it began its 45,000 km journey during which it will pass through over 1,000 communities across Canada on its “relay of peace and unity”, the longest relay in Olympic history. About 12,000 people will take their turns carrying the Olympic torch until it arrives back in Vancouver’s BC Place stadium on February 12, 2010 for the start of the Olympic Winter Games. The excitement is growing!

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