Horror stories are not uncommon when it comes to home renovations. My father was a masonry contractor and built a couple of our homes when I was a child. I don’t recall it being a particularly stressful process, but that may have been because I was young and oblivious.
Later years Dad helped one of our churches build a new manse for us, and I quite enjoyed that, even when construction didn’t overlap with our holidays as planned, and it meant a week of bunking on the church lounge floor in sleeping bags with four children, and cooking in the church kitchen. We got to choose the design and all the interior and exterior finishes, fixtures and appliances, while the church paid all the bills. Now that was an ideal arrangement. ;)
It’s been almost fourteen years since I was last involved in a construction project. In 2000 our church added a new wing to its building, and everyone participated in whatever capacity they could. I ended up on the interior design and décor committee, helping to select wall colours, carpets, and furniture.
My hubby would probably tell you that I must have been an interior decorator in another life because I’m always rearranging furniture in our home and thinking about new colour schemes! During the months of church construction it was messy, and noisy, and tiring, but despite all that and the occasional frustration, I loved the whole experience!
In retrospect, I found similarities to my novel writing. Before driving a single nail, there was the initial planning stage, researching, establishing the game-players, and drawing up blueprints. We had a ceremonial turning of the sod, which was followed by the massive backhoe that arrived to begin the groundwork. Forms and foundation undergirded the subsequent framing and roof structure. So much work went into it before it began resembling the rooms and stairwells and gymnasium that were the eventual result. And even after it was finished, it wasn’t.
There was still a lot of fine-tuning. Extra coats of paint. Miscommunication required the change of some light fixtures. Trim was missing in a couple places. Little things, but important pieces in the overall finishing.
So it is with my storytelling. All that mulling of ideas, the research, setting up characters and POV. I dig through magazines and catalogues, putting together the bits and pieces of a collaged storyboard — my ceremonial start to every new story. Finally, with it set out for inspiration, I begin writing.
I’m not a fast writer, so it can be a long time before the essence of the story begins to take shape. It’s a lot of work. I think I’m on track, and then I’m deleting paragraphs and pages that don’t fulfill their intended purpose. It gets messy. Even when I think I’m done, I’m not. There are endless revisions, beta reading and further edits.
Is it worth it? When I stand back and view the completed manuscript, despite its lingering flaws, there is satisfaction from seeing how all the pieces came together to create the harmony of a pleasing story. I find characters I’d like to live with, in a world I’d like to inhabit.
There are endless writing analogies in the construction process. Perhaps the most enlightening discovery is that no one part of the process is more important than another. Remove the initial idea, or the blueprints, the coordinating contractor, quality materials, or careful workmanship, even the final check of all the finishing details … miss any one of them, and the resulting structure may not be sound. It may collapse under scrutiny.
Do you understand the basic steps in creating a story? Have you read any good books on the topic lately? I still like James Scott Bell’s PLOT & STRUCTURE, and now he has a brand new book I’m anxious to read: SUPER STRUCTURE: THE KEY TO UNLEASHING THE POWER OF STORY.
So, how are you at dealing with construction?
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