This has already been a full week, and now we’re heading into Easter weekend. I hope you’ll forgive me for choosing another post from the archives.
Breezes dimple across the water and start wild grasses dipping and dancing. There’s a special rhythm nature brings to the seasons.
What do you think of when someone talks about rhythm? The repetitive thudding bass from the convertible that pulls up beside you at a traffic light? Maybe the toe-tapping that accompanies a rousing piece of music by a favourite band?
What about the rhythm of words?
I came across a fascinating ‘toy’ recently — the Rhythmwriter. Try it out and then come back so we can carry on our conversation.
click on the link.
Isn’t it fun?
No matter the notes you choose, the resulting pulse is like a dancing heartbeat… a vital signs monitor gone berserk. One bar of assorted notes repeats to create a pleasing rhythm. At least, it’s pleasing until the repetition works its way into your head like an earworm and begins to drive you mad.
We need a certain amount of variety, in the rhythm of both music and writing.
“Just as musical notes blend together to create an auditory tapestry, so should your words. Mix it up, shuffle the deck, alter the rhythm of your words. Punctuate a paragraph with some staccato sentences. Layer your language with elaborate harmonies. Refrain from playing the same refrain over and over. Use this musical analogy to think about your audience while you write and don’t forget to vary the rhythm of your words.” [Sari Mathes]
In writing, rhythm is achieved by varying the length of sentences and the style of their structure. We want the end result to sound like us — to reflect our literary voice — but at the same time we want the listening experience to be pleasant.
“The aims here are:
- to avoid overusing any one sentence structure in a way that becomes a distraction to the reader,
- to move gracefully back and forth between the clarity of simple sentences and the richness of complex sentences, and
- to evoke the rhythms of your own vocal style, with the same rising and falling of pitch, the same ebb and flow of phrasing between breaths.” [Michael Fleming]
Fleming suggests the best way to establish a natural rhythm is by reading your work aloud. I wonder how many writers do this. Do you? Do you read your manuscripts aloud while in the sanctuary of a closed room, play the words back to yourself via text-to-speech software, or perhaps share them with others at public readings or critique gatherings?
Are you conscious of developing rhythm in your writing? Do you think it’s more important in poetry than in prose?
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