Taking my own advice…

I attended a ‘Lobby Night’ presentation by my writers’ group last night — a very worthwhile event, but as I drove home in the descending darkness I realized how scratchy my eyes were. Unfortunately I had left writing this post until the end of the day and when I opened my laptop to begin, I was suddenly too tired to find anything pertinent to say. I sat here with my eyes blinking faster than the uncooperative cursor, until I decided this was probably as close to Writer’s Block as I wanted to get. My solution? Re-run an old post. Just over four years ago I posted the following under the title of A Daily Dose of Motivation. I hope you’ll forgive me if I post it again. My brain is lost in a fog tonight. Tomorrow I’ll take my own advice about getting motivated for Friday’s column.

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Everyone has an opinion about how to combat Writer’s Block. Whether believing it’s a mythical non-entity or a super-size monster, experts are quick to offer suggestions for overcoming a writer’s inability to make words materialize on the monitor.

The one I like best? “Just sit down, put pencil to paper (or fingers on keys) and start writing anything that comes into your head. Don’t stop for ten minutes.” Yeah, sure — recommending writing as a cure for not being able to write. That’s logic for you. But what can we do when the words won’t come, when we honestly try but the effort only magnifies the angst?

I’m not convinced I’ve ever faced Writer’s Block. Yes, there have been days, weeks, even months when I haven’t written anything significant, but in retrospect I think I was procrastinating. I wasn’t ready to risk failure, so I found something safer to do. I read.

There is a real danger in procrastination, even in the short term, because the time we would previously have spent writing slowly becomes absorbed by a substitute. Reading is easy to justify because writers need to read — for exposure to good writing, for knowledge, for inspiration. But as an excuse to avoid writing? I don’t think so.

I always have an assortment of books on the go from my TBR pile but when I finally realize I’ve been reading at the expense of writing I figure it’s time to shift my focus. I reach for the volume that continues to give me daily writing inspiration no matter how many times I read it: Bonni Goldberg’s Room to Write: Daily Invitations to a Writer’s Life. (Tarcher/Putnam, 1996) There are lots of daily meditations available but “Room to Write” has been one of my most useful tools. Admittedly I don’t often do the accompanying exercises but the short readings motivate me.

Excuses are impediments to achievement. Had I continued to stare at this blasted blank monitor until my eyes blurred, blaming my lack of words on Writer’s Block, or  immersed myself in someone else’s plot as I was tempted to do, this posting wouldn’t have happened today. Mind you, it’s already 11:55 p.m. If I don’t immediately staunch this flow of words that originally wouldn’t start, today’s posting will become tomorrow’s!

See what a bit of motivation can do!

Do you have any favourite go-to books that provide motivation in those moments when writing inspiration is lacking?

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Sometimes it takes a little effort

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Holidays don’t count, do they? I mean, if I pledge to write every day, I’m still entitled to take holidays off, aren’t I?

Today is Victoria Day in Canada… it’s always the last Monday before May 25, a federal holiday when we commemorate Queen Victoria‘s birthday and also honour the official birthday of the current reigning sovereign, Queen Elizabeth II. I’m not sure how many people could relate the reason behind the holiday, but it’s a long weekend, considered by many to be a precursor of summer, and that’s reason enough to celebrate.

It’s time to dig through the closet for our sandals, clean up the barbecue and set out lawn furniture. This is a NO WORK weekend, right? Then again, if I want to eat, I’m going to have to do a little food prep first… probably take a trip to the market. Oh, and I’ll need to stop for gas. The more I think about it, the more people I realize will still be working this weekend, if only to accommodate those of us who won’t be.

Making an effort!

Making an effort!

Before I retired I worked as a professional dog show secretary, and dog shows were often held on holiday weekends. The exhibitors loved it because they were off work and could attend. I, on the other hand, had to put a great deal of effort into getting out of bed at 5:00 a.m. to make sure everything was ready for the start of each day’s event. Anyone who knows me well will remember my infamous fridge magnet: “I would like mornings better if they started at some other time of the day.” I am definitely not a morning person. But I made the effort because people were counting on me.

If it weren’t that I love playing with words and concocting fiction I could think of all kinds of excuses for not writing… not just this weekend, but anytime. I’ll bet you could, too. Procrastination is a ravenous monster; give in to it just a little and it will devour all our good intentions.

So yes, I’ll be writing today. Maybe not a significant chunk of my current w.i.p., but enough to keep the creative juices flowing. First I’ll make notes in my journal, toy with a few phrases in preparation for Wednesday’s blog post, and read over an article that I drafted last week. I may have to stretch myself a bit to find the motivation, but eventually I’ll get into the ‘groove’ and  words will begin to spill out. The reward will be well worth the little extra holiday effort!

Do you take days off from your writing? How do you regain your momentum?

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In which some things get turned upside down!

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Upside down (trailing) Calibrachoa ‘Sweet Bells’

We had an election in British Columbia yesterday. I’m not one to follow politics doggedly, but I do take the responsibility of voting seriously. I voted, then through the evening watched television coverage of the incoming results.

Going into this election the provincial Liberals were expected to lose. In the end, although it appears she lost in her own riding by a narrow margin, Premier Christy Clark led her party to a resounding win. From the National Post online:
“The Liberals defied common wisdom and months of abysmal polling numbers to win British Columbia’s election Tuesday, a shocking turnaround for a party and a premier who entered the campaign with many observers writing the government’s obituary…B.C.’s Liberal party defied prognosticators and pundits Tuesday to win a fourth consecutive election, an upset that will confound so-called experts for months.”

In his election night speech, defeated NDP leader Adrian Dix said, “Elections belong to the voters, and the voters decided.”

Nobody could have predicted this election’s outcome, although in retrospect there were indications that people hesitated to risk a repeat of the economic downturns experienced during the NDP’s past terms in power. Christy Clark’s persuasive focus on our need for a strong economy carried her party past Dix’s promises of generous spending, to an inevitable conclusion. For whatever reason, nobody saw it coming.

Of course there’s a writing application here. (You knew there would be, didn’t you?) Public reaction to this political upset makes me think of reading suspense novels, mysteries or thrillers, with their unpredictable endings. I love being surprised by an ending, as long as the author has dropped subtle clues along the way. The plot may turn the characters’ lives upside down, but when I flip back to earlier scenes I need to find the logic behind the story’s resolution.

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Are you the kind of reader who likes to peek at the last few pages first, to find out how a story ends? Or do you prefer to be surprised? On the other topic, do you vote in your province’s, state’s or country’s elections?

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The Frustration of Misunderstanding

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To be misunderstood can be the writer’s punishment
for having disturbed the reader’s peace.
The greater the disturbance, the greater the possibility of misunderstanding.

Anatole Broyard

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I read agents’ blogs for several reasons. One is to learn as much as I can about the publishing industry. Another is to learn what separates one agent from another as an author’s representative. I’m naïve enough to believe I’m eventually going to find the agent that God has in mind for me – that one person who believes in my work and wants to help me refine it, then be an advocate for it with publishing houses.

The agent/author relationship strikes me as being much like a marriage. There’s need of good communication, mutual understanding and appreciation, trust and commitment, and the willingness to apologize when necessary.

Until this past weekend I don’t think I’ve ever come across an agent who said, “I messed up royally,” but those are the exact words of Books & Such agent Rachelle Gardner, along with “I completely miscommunicated.” Personally, I didn’t think she messed up at all, but her blog post entitled “Will My Publisher Let Me Self-Publish Too?” in which she attempted “to explain the publishers’ concerns in this new age of hybrid authors who are both traditionally- and self-published,” set off an explosion among her readers. Several of them misunderstood her stance and took offence.

Such an outcry! But rather than show frustration with those who clearly missed her point, with her usual grace Rachelle accepted the blame for miscommunicating and took the time to respond to several commenters and write a second post* to clarify her words and correct the misunderstanding. What a wonderful example of Christian humility and patience!

Human nature often makes us want to defend our choices, to justify and argue. It’s not easy to take criticism, or to say, “I’m sorry. Let me try and get it right this time” when you weren’t wrong in the first place. In an industry that’s all about words, communication and relationships, Rachelle Gardner has demonstrated the qualities that set her apart as an extraordinary agent and author advocate.

What’s the one most important characteristic you would hope to find in an agent representing you and your work?

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Shallow understanding from people of good will is more frustrating
than absolute misunderstanding from people of ill will.

Martin Luther King, Jr.

A tender answer turns away rage,
 but a prickly reply spikes anger.

Proverbs 15:1 (The Voice)
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* EXCERPT:

“On Monday I wrote a post in which I attempted to explain the publishers’ concerns in this new age of hybrid authors who are both traditionally- and self-published. But I messed up royally.

“In my effort to illuminate the publisher’s perspective on things, I inadvertently came across as completely defending the publishers’ viewpoints, and somehow being on the side of “Big Pub” (as some commenters put it) rather than being an advocate for authors. That was my mistake. I badly miscommunicated, and I regret it because it led to so much misunderstanding.” (Rachelle Gardner)

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BOOK REVIEW: A NOBLE GROOM by Jody Hedlund

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Jody Hedlund

For someone who never used to read Christian fiction, I keep surprising myself by finding an increasing number of Christian novelists on my list of favourite authors. Jody Hedlund topped the list after the release of her debut novel, THE PREACHER’S BRIDE in 2010. Each year since then I have waited impatiently for, and eagerly consumed, her subsequent releases – THE DOCTOR’S LADY in 2011, UNENDING DEVOTION in 2012 and most recently A NOBLE GROOM, launched just last month.

Jody’s stories are historical romances, and the eras she draws from provide fascinating and authentic backdrops for her characters and their complex stories.  A NOBLE GROOM takes place in 1880, mostly in a rural German farming community surrounding Forestville, Michigan.

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About A NOBLE GROOM, from Jody’s website:

a-noble-groom-193x300“Recently widowed Annalisa Werner has the feeling her husband was murdered but can’t prove it.

Alone with her young daughter in 1881 Michigan, she has six months left to finish raising the money needed to pay back the land contract her husband purchased, and the land is difficult to toil by herself. She needs a husband. With unmarried men scarce, her father sends a letter to his brother in the Old Country, asking him to find Annalisa a groom.

For nobleman Carl von Reichart, the blade of the guillotine is his fate. He’s been accused and convicted of a serious crime he didn’t commit, and his only escape is to flee to a small German community in Michigan where he’ll be safe. He secures a job on Annalisa’s farm but bumbles through learning about farming and manual labor.

Annalisa senses that Carl is harboring a secret about his past, yet she finds herself drawn to him anyway. He’s gentle, kind, and romantic–unlike any of the men she’s ever known. He begins to restore her faith in the ability to love–but her true groom is still on his way. And time is running out on them all.”

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MY REVIEW:

Publishers Weekly says, “Hedlund intricately balances romance and drama…” but this is an understatement. More than balancing them, she weaves them together with breath-holding suspense, moments of danger and disaster, and the sweetness of a child’s trust. The sustaining faith of both Annalisa and Carl is evident, but there is no slick dishing out of the Christian message. Instead it plays out subtly in the motives and actions of the characters – a refreshing change from some Christian fiction where the stories are thinly veiled attempts to present salvation as the panacea to every dilemma.

While I found the romantic elements more dominant in A NOBLE GROOM than in Jody’s previous books, it isn’t at the expense of an exciting plot, well-developed characters or a vivid setting. They all entwined to keep me engrossed in the story from beginning to end. I highly recommend it.

The only problem with finishing it so quickly is once again I’m left impatiently waiting for Jody’s next book. REBELLIOUS HEART (where Susanna Smith and Ben Ross are caught up “in a very dangerous fight for justice” in 1763 Massachusetts), isn’t due for release until September. Another four months to wait! :(

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Jody Hedlund is represented by Rachelle Gardner of Books & Such Literary Agency.

You can find Jody on her blog, along with reams of information for writers, or on Facebook and  Twitter.

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Observations from nature: creativity in the making

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Our woodlands beckoned today, so I wandered off to the marsh again with camera in hand. The goose’s nest atop the beaver lodge is now empty and I caught the barest glimpse of the geese and at least one gosling in the distant grasses. A couple mallards drifted in and out of sight, too. I sat on my bench in the silence of the sunny afternoon and wondered where all the other wildlife were hiding. We live five minutes from four different lakes, so I suppose they could have been galavanting.

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I’d say my afternoon qualified for what Julia Cameron calls an ‘Artist’s Date’… “some small adventure.” In WALKING IN THIS WORLD: THE PRACTICAL ART OF CREATIVITY, she says,

“When I am on an Artist’s Date, I stand a little outside the flow of hurried time. I declare an hour off limits from hurried production and I have the chance to marvel at my own “being” produced. I am just one soul amid so many souls, one life led amid a bouquet of lives. When I step aside from pushing time, from facing the clock, even for just one hour, I feel myself drawn to merciful scale.”

“Nothing is too small,” she adds. And I agree. There is nothing insignificant in the world that surrounds me during my wandering.

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“Artists throughout the centuries have talked about inspiration. They have reported the whispers of the divine that came to them when they inclined their ear to listen. Aligning their own creativity with that of their creator, composers exclaimed, ‘Straight away the ideas flew in on me!’ Such ideas can — and do — fly in on all of us. They are the squirrel scampering along the branch. They are the stray pink blossom lighting on a cheekbone. They are the light but definite touch of the unseen world touching our own whenever we are willing to be touched.”

Not everyone has the physical capability necessary for a walk in the woods. Not everyone has the opportunity or the time to take an hour off in the  middle of the afternoon. But I’ve come to believe  we can’t ask our minds to constantly yield ideas for us without regularly restocking their source of creativity. We must be replenished in order to continue producing. It’s important to take time to identify how best to achieve rejuvenation in our circumstance, then make time to accomplish it.

I believe our physical, mental, emotional and spiritual survival depend on it.

Do you agree, or are you more of the ‘push on through the day and stop navel-gazing’ kind of personality?

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“It’s always refreshing to step into another time.”

Diane Lane

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“I have avoided becoming stale by putting a little water on the plate,
lying on the plate, and having myself refreshed in a toaster oven
for 23 minutes once every month.”

Dean Koontz

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“My soul finds rest in God alone; my salvation comes from him.”

Psalm 62:1

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“The Lord is my shepherd; I shall not want.
He makes me lie down in green pastures. He leads me beside still waters.
He restores my soul.”

Psalm 23:1-3

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How do you pick a name (for a cat or a character)?

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DSC02105This is Zeke. Our grandchildren started out calling her ‘Trooper Zeke McGuire’ until it eventually ended up as just plain Zeke — not that either name was particularly appropriate for a female kitten. Of course at the time of naming, everyone thought she was a he, and by the time it was discovered she wasn’t, nobody was about to change the name.

Zeke has attitude. Oh, I know… you’ll tell me all cats do. I’m not a cat person so you could fool me. My life has been filled with dogs for more than sixty years but there’s never been a cat. Zeke and I have the loosest of relationships. She belongs to my son’s family, and has a chocolate Lab in her household to boss around when she feels the need to play her dominant card.

The Lab barks when she wants into the house. If the cat also happens to want in, when the door opens she darts in ahead of the dog. When Zeke wants in and the dog isn’t around to offer assistance, Zeke backs up to the French doors and thuds a rapid tattoo against them with her back paws! For some reason that reminds me of a jackrabbit. Why couldn’t they have named her Jackie? Or then again, wasn’t it the song about Frosty the Snowman that tootled, “Thumpity-thump-thump, thumpity-thump-thump, look at Frosty go?” Why couldn’t they have named her Frosty?

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Zeke’s Chocolate Lab is called ‘Java’. Our own Black Lab is ‘Tynan’, which is Gaelic for ‘the dark one’. No further explanation needed, right? But ‘Zeke’ for a grey, long-haired female house cat???

Finding suitable names for cats or dogs, babies or characters in a novel is a challenge. How can anyone know what will suit them when they first arrive… before they’ve displayed or even developed a personality?

When it comes to characters, I usually have an image in mind. Then it’s a matter of checking the image against a list of potential names — sometimes it’s in my mind, other times it’s in a telephone book, a ‘name your baby’ book, or possibly rolling credits on the movie or television screen. I discard them one by one, depending on who I might have known with a particular name, and whether it suggests either positive or negative connotation or remembered personality traits. It can be a slow process.

I’ve been known to change a character’s name several times in the course of writing a story. That can cause problems of its own. While the ‘search and replace’ function in my word processing software is very handy, it’s not fool proof, as author Denise Jaden reminded me on Facebook yesterday when she said she’d “changed a character’s name using the Find and Replace option in Word, but forgot to add spaces before and after the names. Now I’m coming across words like resebastianable (instead of remarkable). Makes me laugh every time.” Later she added, “ Upon further thought, I think I may keep reSEBASTIANable as my own addition to the English language. I’ll use it whenever anything is extra remarkable.”

How difficult is it for you to find the right name (for a cat, kidlet or character)? Have you ever regretted your choice?

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Patience and Endurance…

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The Coquihalla Highway was closed Monday due to a major snowfall. As we travelled homeward on Tuesday — the last day of April — a lot of the snow had disappeared, but it certainly didn’t resemble spring. The above verses of Romans (8:25 and 5:4) seemed particularly appropriate. There’s no rushing springtime. We just have to endure and be patient.

Writers know all about endurance and patience so this should be a cinch. In her guest post on Seekerville yesterday Connie Mann talked about endurance and why it’s too soon to give up.

“’Almost there’ is a tough, dry place to try to keep your bearings and stay focused,” Connie said. “It is lonely and frustrating and the doubt gremlins work overtime, whispering horrible things in your ear, day after month after year. The temptation to quit rears its ugly head, making even the most confident writer question the dream. If this is where you are today, let me encourage you. This particular wilderness, this season, won’t last forever, but it is often another stop, another way the Great Creator toughens our resolve for the rest of the journey.”

My plans for May are to write and to garden. I have control over the former, but not the latter if the weather doesn’t cooperate. Then again, if it doesn’t, I’ll be more inclined to stay inside and spend more time writing, so I suppose it’s all good. It’ll help me persevere.

Welcome, May! On your way in please collect spring somewhere and deposit it here, too.

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It’s that ‘same old, same old’ routine

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A walk to our marsh isn’t anything new for me, nor is the view. Yet I wander down there regularly. You’ve accompanied me on a few occasions (here and here), following the trail and sitting on the bench beside me. The same path takes me past the same trees, footsteps cushioned with decades of fir needles and crushed cones. Ferns and mosses, leathery salal and the occasional huckleberry shrub return every spring under the same dense evergreen canopy.

Woodland Trail

Marshes don’t change much. There are always grasses emerging from their watery roots, ducks and geese diving for fresh shoots, swallows swooping after mosquitoes and herons stalking lunchtime morsels. I have photos taken fifteen years ago that I can’t tell from others taken last week except for the seasonal colour variations.

Spring Marsh

But each time I go, it feels different, perhaps because I’m looking with a different focus. This week it’s on the Canada Goose who, after a three-year hiatus, has returned to occupy her old nest on top of the beaver lodge.

She wasn’t there in the early afternoon yesterday when I went to check up on her, and I feared she might have abandoned it again. But no, soon she and the gander swam back from the deeper end of the marsh and she clambered up to settle in.

Goosey Goosey

There are two pair of geese populating our marsh and they each respect their separate territories, although I occasionally hear a commotion if one meanders too close to the other’s domain. I assume it’s the same two pair every year, since geese mate for life and are relatively long-lived.

Gander

Do you suppose they have any thoughts about the recurring, never changing cycle of their lives? Do they ever experience the hamster-on-a-wheel sensation, as people do – the here-we-go-again, tied-to-the-old-survival-routine kind of monotony?  Or are they even conscious of the renewal of a season? Geese are very family oriented. They show affection for each other, welcome each other after an absence. They defend their mates and their young. I wonder if they have any other emotions in common with people. I’ll probably never know, but I like posing such questions.

I do something similar when I’m establishing new characters for my stories. I want to know what they think, how they’ll respond, what personality traits they’ll display as the plot unfolds. Will routine bore them or help keep them grounded?

What kind of questions do you ask as you begin assembling a fresh cast of characters? Has the arrival of spring inspired any enthusiasm for beginning something new? How do you feel about the repetition of the seasons?

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While the earth remaineth, seedtime and harvest,
and cold and heat, and summer and winter,
and day and night shall not cease.

Genesis 8:22

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To every thing there is a season,
and a time to every purpose under the heaven.

Ecclesiastes 3:1

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Looking over my shoulder (or… how life changes)

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The traffic light was slow to change. I waited, impatient to get across the street and to my meeting. Ahead of me two young men also waited, black backpacks slung over their shoulders. Prior to the Boston bombing I wouldn’t have looked twice at them. Now…? When we reached the other side and they moved away, I peered back over my shoulder to check where they’d gone.

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It was silly, I know, but instinctive. As our world changes, so also does human behaviour. Events 4,000 or 5,000 kilometres away may not directly impact us, yet they alter how we think. Then again, so does life in general. We are not exactly the same people today that we were yesterday, nor the same as we will be tomorrow. It’s called growth.

In our novels it’s called the Character Arc.

In PLOT VERSUS CHARACTER, Jeff Gerke points out that in some novels, notably mysteries, the main character may remain unchanged, because the story is all about the plot and how it unravels. In most other genres, however, the story is about how the main character is affected by the plot. Jeff suggests the Character Arc should have five distinct parts:

  1. Initial Condition
  2. Inciting Incident
  3. Escalation
  4. Moment of Truth
  5. Final State

A static character will be flat, despite all the personality quirks we may give him. If we want him to come alive for our readers, he has to be challenged by something that requires him to reason and react. Inevitably he must encounter obstacles and/or discoveries that will change him either physically, mentally or emotionally.

Do you consciously develop a pattern of change for your character as you plan your stories? Do you evaluate during revisions whether or not you achieved an effective character arc? In your opinion, how important is such change in a short story compared to a novel?

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